Simidele Adesanya, a second-generation Lagosian, embarked on an unconventional journey in the art world. Despite her educated background as a lawyer, she followed her passion for art, becoming a prominent arts promoter in Lagos. Her talent for networking and hosting intimate art gatherings in her home helped her build connections and attract art enthusiasts.
In 1992, she officially registered her gallery, facing financial challenges but maintaining unwavering commitment. Simidele's gallery stood out for its mission to elevate artists and the art profession, treating artworks as valuable assets. Her dedication bridged the gap between the artistic community and the wider public, leaving a significant mark on Lagos' art scene and the profession itself. In those early years her currency of trade was high ethical behaviour and conduct, with transparency and integrity as cannons. This professional behaviour brought a lot of respect not only to artists by the society at large, and gave a sense to many artists that one could survive from the toil of creating good works of art.
In the 2nd decade she collaborated and partnered with many persons and institutions, like Bisi Silva, where training seminars and education series across the country where developed. Also were auctions with Terra Kulture. Other shows like watercolour and pastel Exhibitions were developed and perfected. These were exploratory years that were ruled by a lot of passion and better business planning than the proceeding decade.
In the third decade of Sinmidele Adesanya's gallery journey, a period of consolidation took shape. With a stable source of income firmly established, Sinmidele began to channel resources into projects that aligned with her gallery's artistic interests and ambitions.
One notable outing was the gallery's participation in Art Dubai in 2016. Art Dubai provided a global stage where artists and their works could be showcased, reaching a diverse and international audience. Another significant milestone was the Masters show, a prestigious event that attracted distinguished dignitaries, including the former Vice President of Nigeria. These 2 events underscored the growing influence and impact of Simidele's gallery on the national and international art scene. While the cash flow generated at such international events might not have been the most favourable, the exposure and publicity and lessons gained were immeasurable
Looking ahead, Sinmidele believed that the art industry could progress by fostering greater cooperation and reducing personal agendas. Collaboration among artists, galleries, and institutions could lead to more meaningful and impactful artistic endeavours. She envisioned a future where well-thought-out ideas could be supported through sponsorship, allowing for the creation of even more remarkable events and exhibitions.
Sinmidele's "My Drim Gallery" proudly stood as a testament to her dedication and perseverance. Over three decades, the gallery had hosted over 200 exhibitions and provided crucial support to over 300 artists. It had become a hub of artistic innovation, a platform for artistic expression, and a driving force in propelling the Lagos art scene onto the global stage.
Simidele Adesanya's journey was a testament to the transformative power of passion, determination, and a commitment to promoting the arts. Her gallery had not only contributed significantly to the cultural landscape of Lagos but had also set a shining example for the entire art industry, showing what could be achieved through cooperation, vision, and unwavering dedication to the world of art.
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