His Majesty Igwe Achebe with Royal fathers and Prof. Bruce Onobrakpeya |
His Majesty Igwe Alfred Achebe CFR, mni with Prof. Bruce Onobrakpeya MFR at a special reception for guests during Igwe Achebe's 10th Ofala Celebration. |
This month Prof. Bruce Onobrakpeya visited the historic city of Onitsha on
the invitation of his Majesty Igwe Nnaemeka Alfred Ugochukwu Achebe, CFR, mni
to witness Igwe Achebe's tenth Ofala, in Onitsha. The Ofala festivity goes back to
the beginnings of Onitsha in the 16th century. Every Obi of Onitsha
celebrates a yearly Ofala, which in the days gone by, was his annual
emergence, when most of his subjects had an opportunity to behold him.
The Ofala festival is remarkable in the sense that it also celebrates the beginning of the Onitsha New Year and New Yam season. The festival brings most of the indigenes of Onitsha from far and wide, as well as friends and well wishers to witness festivities connected to the Igwe's celebrations of his yearly Ofala.
The Ofala festival is remarkable in the sense that it also celebrates the beginning of the Onitsha New Year and New Yam season. The festival brings most of the indigenes of Onitsha from far and wide, as well as friends and well wishers to witness festivities connected to the Igwe's celebrations of his yearly Ofala.
The festival is often very colorful and characterized by the paying of tributes, salutations and making of gift presentations to the Obi of Onitsha. Senior ranking members of the community, who include chiefs and elders, can be seen wearing their head gears which are colourful and often made of ostrich feathers. The dance and ceremony is often accompanied by royal drums called Egwuota. There is also a spectacular parade and outing of different age grades who pay homage to the Igwe Achebe who is also known as Agbogidi.
Chiefs and elders, can be seen wearing their head gears which are colourful and often made of ostrich feathers. |
But by far the most popular artist to have come from this
great City is the legendary and iconic Ben Enwonwu, who had mentored Bruce
Onobrakpeya many years before, and represents the greatest visual artist of the
20th Century from Nigeria.
While in Onitsha Prof. Bruce Onobrakpeya paid a courtesy call
with a few members and artists of the Harmattan Workshop Series to the Obi of Onitsha.
His Majesty is a passionate and dedicated collector of
African art, and is in part responsible and share the credit for a new wave of revival and
renaissance in the appreciation of wood carvings in Onitsha, a traditional artform in Onitsha which was almost lost and extinct due to waning appreciation. His beautiful home which is located in
one the scenic valleys of Onitsha, is also home to
his tremendous collection of Nigerian masterpieces, which are a joy to
behold. His collection include a modest but surprising number of Nigerian masterpieces which have been painstakingly acquired from all over the country in the last 20 years.
One of this pieces is a meduim sized painting called Agbogidi by Onobrakpeya, and was done in honour of Obi Achebe who is also a long time patron of Onobrakpeya 's works.
Onobrakpeya's visit to Onitsha was remarkable and nostalgic, because it is the first time in 70 years, since he visited Onitsha with his then guardian the late Mr Onakufe who taught as a teacher in a primary school there. He also vividly remembers on his last visit to Onitsha, seeing a group of hunters on their way back from a hunting expedition, wearing their full hunting gear and colourful regalia. This certainly made an impression on young Bruce's mind.
At the courtesy visit and reception which followed at the Obi of Onitsha's home. Onobrakpeya thanked Igwe Achebe for the hospitality extended to him and several artists during the visit, the continued support of the arts and the fatherly role Igwe Achebe had played in nurturing Nigerian art. Onobrakpeya prayed that God should give the progressive Igwe the wisdom to continue to be a pace setter in Cultural and environmental concerns.
One of this pieces is a meduim sized painting called Agbogidi by Onobrakpeya, and was done in honour of Obi Achebe who is also a long time patron of Onobrakpeya 's works.
Onobrakpeya's visit to Onitsha was remarkable and nostalgic, because it is the first time in 70 years, since he visited Onitsha with his then guardian the late Mr Onakufe who taught as a teacher in a primary school there. He also vividly remembers on his last visit to Onitsha, seeing a group of hunters on their way back from a hunting expedition, wearing their full hunting gear and colourful regalia. This certainly made an impression on young Bruce's mind.
At the courtesy visit and reception which followed at the Obi of Onitsha's home. Onobrakpeya thanked Igwe Achebe for the hospitality extended to him and several artists during the visit, the continued support of the arts and the fatherly role Igwe Achebe had played in nurturing Nigerian art. Onobrakpeya prayed that God should give the progressive Igwe the wisdom to continue to be a pace setter in Cultural and environmental concerns.
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